a rush of unintended consequences under the apple-tree
Week 10 | analyzing week nine and getting into our next chapters
Welcome to the Closely Reading book club, where we closely read classic literature together and discuss assigned chapters each week. Right now, we’re reading George Eliot’s Middlemarch. You’re welcome to join us any time!
let’s talk chapters 56-62
All week, I kept thinking: where is Dorothea? I want more Dorothea.
And then we got some heartbreaking developments throughout the Middlemarch community, instead.
Rosamond suffers a miscarriage while riding horseback with the visiting Captain
Lydgate’s debts become clear; neither he nor Rosamond can figure out how to fix it. Rosamond’s letter to her uncle makes things even worse.
Fred and Mary’s connection becomes increasingly complicated as her family (and especially her mother) get involved and make an interesting case for Farebrother and the love triangle his care for Mary creates
Rosamond tells Will about Casaubon’s will
Bulstrode’s past becomes more clear and he tries to make things right with Will out of guilt
Will refuses the inheritance and considers leaving Middlemarch because he cannot be with Dorothea
The town increasingly gossips about Dorothea as she attempts to start re-integrating herself into society after Casuabon’s death.
I was so eager for more of Dorothea’s story that it really took me some sittin’ and thinkin’ to start to unravel some of the thematic moves in these chapters. And once I started thinking about all the implications that continue to unfold, the more I realized how deep the threads of this story really run.
(At this point in the novel, I’m getting the sensation I used to get in a mid-season of a beloved TV show: like season 3 of Gilmore Girls or season 2 of Grey’s Anatomy — shows with interesting communities or social dynamics. We know our cast so well now that we can see how their individual plots start to weave and wander!)
Lydgate’s debts were shocking to me. I wasn’t really tracking how much Rosamond’s expectations were leading him to “Keep up with the Joneses.” It’s really tragic to see how his medical ambitions are getting compromised, increasingly, by his social connections and financial realities. Plus, Rosamond isn’t helping. I can’t help but see some underlying critiques here about the way money sours relationships, as well as individual dreams and pursuits.
“He had meant everything to be different with him.
He had meant to keep himself independent of all that was sordidly personal.”
In fact, we’re seeing that all over the place:
In Fred’s frantic pursuit of the right vocation that will win him Mary’s affections
In Bulstrode’s increasing anxieties that his past will be revealed and he’ll lose everything he has
In Will’s horror to realize that his love could cost Dorothea her financial security
In all these ways, money is getting in the way of people’s desires and even, in some instances, their ability to live truthfully and fairly.
“He had done wrong, but he was not an evil man — he was simply a man who had never had the courage to face the consequences of his acts.”
We’re also seeing the ways that these tensions lead to loneliness and isolation. Poor Dorothea: “She was lonely, and had been thinking of lonely things.”
Dorothea’s grief and her feelings for Will are so beautifully rendered in the story. As the town begins to gossip about Dorothea and Will’s connection, I just felt sad. I especially hated the moment Rosamond enjoyed putting things plainly to Will:
“I daresay she likes you better than the property,”
said Rosamond, looking at him from a distance.
This was so heartbreaking! I am so nervous that all these tensions will continue to pull good people apart, while giving less-good people (like Raffles) increasing power to control others.
And speaking of good people being pulled apart by social tensions and Middlemarch gossip and the prying power of “dead hands,” did anyone else just feel their heart pounding during Dorothea and Will’s final goodbye? Will’s bitterness; Dorothea’s rising sobs. It was all just so heartbreaking.
(And yet I can’t help but feel that Eliot is leading us to a beautiful ending.)
favorite quote
Each week, I share my favorite quote from our assigned pages. If you had one this week, please share it in the comments!
Here is mine:
“This is the big folks’s world, this is.”
I absolutely loved Caleb’s discussion with the working men about the incoming railroad to Middlemarch.
So far in the novel, we’ve had a lots of attention on these proper Middlemarch families: the ones who draw the cottages, make the plans, have the money. As these chapters evolve, we’re seeing debts — including Fred’s past history and attempts to make a future for himself, as well as Lydgate’s money troubles — begin to haunt the central narrative.
But out there on the fringes are people we haven’t seen or heard much from. (And I’m personally curious about the dialect used in the passages with the farm workers — something for me to do a bit of research on!)
What I loved about this quote was that it made me ask myself: who are the “big folks” in Middlemarch, really? Where are the seats of power? Have they shifted? Toward whom? Away from which kinds of people?
what we are reading this week
Here we go into week 10! Can you believe?! We’re so close to the end!
Here’s your assignment for this week
Week 10: Monday, July 28
Read chapters 63-70 this week
You can view the full reading schedule here.
You can pose your questions here.
let’s keep reading!
Head into the comments to share your thoughts on the reading.
Where do you think we’re headed, as we near the end?
Can you believe we’re over 600 pages into this Victorian tome?! I’m so proud of us!
Keep reading. We’re in the home stretch now!
thank you!
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The dialect is the English West Midlands where Eliot grew up. I am from that area and recognised it although such a broad accent is very rare now as the area has industrialised and welcomed communities from around the world. My background reading says that Middlemarch is based on the town of Coventry.. In the UK the 'Brummie' accent that this is close too is seen as very low class.
I am with everyone else re: Dorothea and Will, and wanting more there. But, can I just say: wow, wow, wow, wow, Chapter 61, where we finally get Bulstrode's mysterious backstory and his connection to Will, and his attempt to forestall any "punishment" by way of embarrassment by paying Will off! First, I have to say that I find Eliot's narrative voice very comforting, and have felt this all the way through the novel. The state of affairs in the US right now has had my anxiety operating at peak levels, with the accompanying insomnia, etc., and I've found myself turning to the next section I need to read as a way of soothing myself. Aside from the fact that her storytelling is so absorbing and delicious, I find her kindness and humanity towards even her dubious characters to be such a balm during a time when both of those things feel absent from the world. And this section in particular--I've been struggling so much with how ravenous people can be, and how bad actions get rationalized. For some reason, I've been struggling especially hard with this: Do they even believe the things they are saying? At what point do they ever feel like they have enough wealth and power? Don't they ever reach a point where they're disgusted with themselves? What is the point of it all when we're all going to die anyway?? For whatever reason, these have been the outraged questions that stick in my head, that I can't seem to understand or find answers to. And then along comes Chapter 61 of Middlemarch! Eliot's condemnation of evangelicalism, of the yoking together of capitalism and religion, and the mental gymnastics Bulstrode goes through to make it all work in his head, SHOOK me. I was scribbling all over the pages. "This implicit reasoning is essentially no more peculiar to evangelical belief than the use of wide phrases for narrow motives is peculiar to Englishmen. There is no general doctrine which is not capable of eating out our morality if unchecked by the deep-seated habit of direct fellow-feeling with individual fellow-men." Ugh! UGH! So it is the disconnection and the tribalism that enable this! Eliot is backing up one of my other favorites, EM Forster, in the idea that "only connect" is everything. Can I please just have George Eliot continue explaining our present moment to me the entire way through it? Please??
And Will's ability to see straight through Bulstrode, the way he is almost the hand of a true god by forcing Bulstrode to actually be laid bare and then rejecting what essentially would have been Bustrode's bribe to keep quiet--oh my GOD, how gratifying!! Though I did write, in the margin "Poor Will is really going through the wringer at this point."
WHEW.